The 3D printed gradient furniture collection is Philipp Aduatz’s latest project in the field of 3D concrete printing, in collaboration with Austrian manufacturer Incremental3D.
3D concrete printing allows printing very large and complex structures in construction and design in a very short time period. The advantages are not only in terms of ecological and economic reasons, no extensive mold production is necessary, but also from new aesthetic qualities. As part of a research project, Incremental3D is currently exploring the dyeing of concrete. The strategy is to apply dye during the printing process directly into the nozzle and therefore reduce workload, waste, and time delay. This allows a colored design in concrete applied locally point by point and not globally like it used to be before only possible.
Incremental3D teamed up with designer Philipp Aduatz to further evolve its technology by the implementation of the developed research in product design, together they developed a new collection of benches, a chair, and a large vase. By the application of a gradient and the exploration of possible shapes through an interactive working method, they developed an approach to exercise the design process throughout 3D concrete printing.
Another challenge during the product development for this project was to develop a suitable reinforcement technology to provide the load capacity for the design language. Concrete is by its natural material with very little tensile strength; therefore, it should be reinforced. In this case, a customized semi-automatic strategy was developed. The required payloads had been calculated, tested, and proved by the high performance of steel, this was visually perfectly integrated into the design.
inspiration and tool for the design of the gradient vase was subdivision modeling, a computer graphics technique that generates a surface by the representation of a coarser polygonal mesh using a recursive algorithmic method.
One-half of the gradient vase shows the polygonal mesh which works as a functional limit and inner mesh. The other half shows the curved surface generated by an iterative process of subdividing the polygonal faces into smaller faces till the coarse mesh transforms into a smooth and elegant surface.
An image gradient refers to the change of intensity of color within an image, which in processing is one of the fundamental building blocks. “I believe that the gradient is, in regards to the perception of the environment and its digital reflection, a fundamental design principle, it has a mathematical aesthetic and precision that I have always been admiring. With this project I want to combine the design of the gradient with different functional objects by the use of innovative fabrication technologies”. said Philipp Aduatz.